A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life itself, and he will speak back to her, unable to offer explanation or solace, but no...(展开全部)

A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life itself, and he will speak back to her, unable to offer explanation or solace, but no...(展开全部)

A brilliant writer imagines a fictional conversation between a mother and the teenage son she lost to suicide. Yiyun Li confronts grief and transforms it into art, in a book of surprising beauty and love. The narrator writes, "I had but one delusion, which I held onto with all my willpower: we once gave Nikolai a life of flesh and blood; and I'm doing it over again, this time b...(展开全部)

A brilliant writer imagines a fictional conversation between a mother and the teenage son she lost to suicide. Yiyun Li confronts grief and transforms it into art, in a book of surprising beauty and love. The narrator writes, "I had but one delusion, which I held onto with all my willpower: we once gave Nikolai a life of flesh and blood; and I'm doing it over again, this time b...(展开全部)

芭芭拉．妮克莉絲 Barbara Nickless 美國推理作家協會成員。在許多寫作討論會與書展中都曾開設工作坊及發表演說。短篇小說與短文曾收錄於美國與英國的選集中。目前與家人住在科羅拉多州。《軌道殺人事件》是她的首部長篇力作，以其熟稔的寫作風格，結合驚悚、愛情、反戰、道德兩難等元素，未出版前就榮獲達芙妮．莫里哀獎「未出版」類別的最佳主流推理大獎，並獲得克雷默爾獎第二名。

A cult classic with an ever-growing audience, Tracks is the brilliantly written and frequently hilarious account of a young woman's odyssey through the deserts of Australia, with no one but her dog and four camels as companions. Davidson emerges as a heroine who combines extraordinary courage with exquisite sensitivity.

乔纳森·弗兰岑（Jonathan Franzen） 美国小说家、随笔作家。 1959年生于伊利诺伊州。1996年在《哈泼氏》杂志发表长篇随笔《偶尔做梦》，从此受到广泛关注。迄今为止，出版有小说《纠正》《自由》《纯洁》，回忆录《不舒适地带：个人史》，以及随笔集《如何独处》《地球尽头的尽头》等。凭借《纠正》获得普利策奖提名和美国国家图书奖。

In The End of the End of the Earth, which gathers essays and speeches written mostly in the past five years, Jonathan Franzen returns with renewed vigor to the themes―both human and literary―that have long preoccupied him. Whether exploring his complex relationship with his uncle, recounting his young adulthood in New York, or offering an illuminating look at the global seabird...(展开全部)

In the post-meltdown world, it is irresponsible, ineffective, and ultimately useless to have a serious economic debate without considering and challenging the role of the Federal Reserve. Most people think of the Fed as an indispensable institution without which the country's economy could not properly function. But in END THE FED, Ron Paul draws on American history, econom...(展开全部)